Oprah's Book Club? I watched the movie more than four years ago and thought it was great, and I must admit I really enjoyed the reading experience. (Also, this may be one of those rare cases where the book and the movie are both equally amazing!)
White Oleander tells the story of a teenage girl's odyssey through the foster care system of southern California. Astrid Magnussen is a blank slate who is strongly influenced by her ever-changing environment. Chameleon-like, she adapts externally to fit in at each new foster home in the series she endures. It's not until the end, when Astrid has developed her own sense of self, that I realized she took a part of each home with her as she went; that little bits of all the disparate elements of her life can be seen in the person she has become. Which I suppose is true for everyone, but many people don't have such varied experiences.
Speaking of which . . . I had a thought at the end of the book that kind of ruined the experience for me just a little bit. After all the things that Astrid went through, I couldn't help but think it seemed more like a compilation of Foster Daughters' Incidents of Peril than the story of one girl. It almost defied belief that one person would have had such a run of bad luck. On the other hand, the story reminded me of The Glass Castle--though Astrid's life was actually slightly less horrifying--and I had no trouble believing that Jeannette Walls' childhood was real. But it's probably a good thing that I found Astrid's story to be a bit beyond belief. Though it felt plausible (in parts if not as a whole) and immediate, I subconsciously retained the comfortable knowledge that it was safely in the realm of fiction.
The Leavers: A Morally Complex Immigrant Tale
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