I broke my rule and didn't blog about this book before starting a new one. I've probably explained this before, but that rule is mainly to prevent me from lapsing into another blogging slump where I get so far behind that I'm afraid I'll never catch up (see The Lost Years) but it's also because my memory is already bad enough without waiting a week or two AND overwriting the old book with a new one. The book is full of repeated themes: lighthouses (obviously), perfume and perfume bottles and scents (especially oranges and violets, with a little camphor thrown in), the name Angela, the wife who strays or leaves or both, the Venus flytrap, and likely a few others that I've forgotten due to my blogging delay. It would be interesting (if time-consuming and complicated) to draw a Venn diagram of all the characters and what they had in common. Sometimes I had to pause, realizing I was conflating one character with another just based on their echoed idiosyncrasies.
I did feel like the penultimate chapter was maybe slightly overblown. Whereas until that point the common themes were treated with a lighter hand, all of a sudden at the end I was bombarded with all of them, one right after another, and instead of the previous clever and subtle effect it was a little overwhelming and claustrophobic. Luckily this did not hide the building sense of dread (though Futh himself was oblivious) and did not ruin the book for me. It's a good one! You should read it.
