“Tom Lake” by Ann Patchett

I just finished reading Ann Patchett's pandemic project, which causes my own (paint-by-number) to pale in comparison. (Actually I'm not sure that Patchett really wrote this book during lockdown, but it was partially set then.) 

First, I just want to ask: How in the world did Ann Patchett publish a new book and I had no idea it was coming? I didn't even hear a peep about it before I saw it on the shelf at Target two weeks ago. I must be reading the wrong news. Although I did feel a bit better when I saw it was only released on August 1st, so it's not as if it's been out there for months. 

I'll tell you a secret, though. I didn't buy it when I saw it at Target. You know why? I don't like the dust jacket. It looks so shiny and cheap! I thought surely it was just the shiny cheap Target version and figured I would find a nicer one to buy online. But nope, this is it. Shiny and cheap. But you know what they say about books and their covers, and that's, like, a thousand percent true here.

Because this book is super awesome. I enjoyed reading it so, so much. It tells the story of Lara (formerly Laura) Kenison, one-time ingenue who starred in a famous movie but ended up finding her happiness and her life on a cherry farm in Michigan. During the summer of 2020, when all three of her twenty-something daughters have come home to weather out the pandemic and help with the harvest, Lara finds herself telling them of that long-ago summer at Tom Lake when she played Emily in a summer stock production of Our Town. And whereas the story of that summer alone could have been a novel, here is where Ann Patchett reveals her genius: what might have been melodramatic or cloying if told on its own becomes so much more when viewed through the hazy lens of time and nostalgia. It's a gripping story, and as I read I almost felt like I was Lara's fourth daughter. I was definitely absorbed by this book, which Sam can attest to after seeing me wander around the house with it glued to my face. 

SO here's something really weird. You know that I tend to read every single word in a book--especially books I really like--from the Advance Praise to the author's bio. So of course I noticed that Patchett's author photo in this book appears to have been taken in her bookstore, as do some of her previous author photos, but in this one I can see several stacks of multiple copies of the same book (not uncommon with new bestsellers in bookstores). One of these looked so familiar to me--cream colored book, dark frame on the spine--so much so that I thought for sure I owned a copy of it. I literally scanned all my bookshelves looking for it, only to discover that no, I do not have a copy of this book, although Wicked and The Mysterious Benedict Society are probably the reasons I found it familiar-seeming. I figured that I needed to make like Elsa and let it go. BUT as I was scanning the interwebs just now to make SURE there isn't a less shiny and more luxurious-looking version of Tom Lake, I FIGURED IT OUT. It's Demon Copperhead by Barbara Kingsolver (which I don't have a copy of, but probably should). It's weird to me that that book just popped up in relation to Tom Lake. I wonder if there are other weirdos like me who had to know what book that was. And now they're inextricably linked. Or maybe it was just the Pulitzer thing.

The staycation continues! Well, for a few more hours, anyway . . .

“Take What You Need” by Idra Novey

I did not expect to finish this book in less than twenty-four hours. (And of course I would not have, except for the fact that I am on staycation, which is basically synonymous with read-a-thon and also synonymous with awesome.)

Take What You Need tells the story of a complicated character named Jean, an older (though not elderly) woman who has lived her whole life in a small town in the Allegheny Mountains of Pennsylvania. Her story is told in alternating chapters, half through her own eyes and half through the eyes of her estranged adult stepdaughter Leah. The important things in Jean's life are her love for Leah that arose from the nine years she spent as her mother figure, Elliott who is her short-term next-door neighbor, and the Manglements she welds in her living room--metal boxes that are her Art and her form of expressing herself. And I feel like it's impossible to say more about this book, because it's so tightly woven and evocative that it seems impossible to express in a sentence or two.

One of my favorite things about this book (though it's a minor aspect, and really just serves as a backdrop to the setting) is the thinly veiled references to hated political figures. It was kind of like reverse name-dropping, as no names were actually named, but it was oh so satisfying. 

“My Dear I Wanted to Tell You” by Louisa Young

What is it with Sam continually giving me books that make me want to cry? (If you can refer to two in succession as "continually.") Is he just testing my resolve? Well, I'll tell you what. I've come up with a new system, even better than disguising tears as sweat. I lean back in my chair and raise my book above me so that I have to tilt my head back while I read. This way the tears disappear back inside me, somewhere behind my eyeballs, rather than coming out in front of them. I'm destroying the evidence. It's quite clever, really.

But yeah this was another moving story. Also encompassing unspeakable tragedy (but this time the Great War rather than Aberfan), and also so terribly British. The main character is Riley Purefoy, a handsome but lower-class young British man who, despite (or maybe because of) his love for upper-class Nadine Waveney, runs off to Flanders to join the army and fight against the Huns. It's all very horrors-of-war which you know I hate, but as it was heavy on the humanity and light on the strategy, I managed. There are also three other characters who are almost as main but not quite: Riley's commanding officer, Peter Locke; Peter's beautiful but vapid wife waiting for him at home (she was so silly and yet I still felt sorry for her); and Peter's homely but so very helpful cousin Rose, who works as a nurse during the war. Three guesses whose nurse she ends up being.

It's funny how much I liked this book in the end, because I was not impressed when I first started reading it. I actually put it down and read two other books before I picked it up again. 

“Rich and Pretty” by Rumaan Alam

As promised 55 pages ago, here's my break. Total beach read. (Except, unfortunately, I did not read it at the beach--although there is a section of this book where the main characters travel to Turks and Caicos. Which is not quite the same as me being at the beach, but vicarious is better than nothing.) 

This is definitely not my usual type of book. How did I end up with it, you ask? Well, it all started (as this sort of thing often does) at Half Price Books. My habitual method there is to head straight to the Fiction section and peruse spines until I get a crick in my neck. What catches my eye? Interesting titles, Penguin orange, and the names of familiar authors. In this case it was the latter. One year into the pandemic I read Alam's Leave the World Behind and found it interesting enough to give another one of his books a try.

Rich and Pretty tells the story of Lauren (who is pretty) and Sarah (who is rich), thirty-something New Yorkers who have been best friends (at least in name) since the age of eleven. About the time we make it through Sarah's beautiful, forty-page fairytale wedding with no mishaps, I started to realize: there really is no point to this book. Nothing has happened, and nothing is going to happen. My assumption that Dan and Meredith were having an affair? Pfffft. Way off. Dan really is exactly as predictable as he seems. But then there is a point, and it's the best one of all: Relaxation. Escapism. Just the pure enjoyment of reading a story. A bit like vegging out in front of the TV except it feels slightly more intellectually healthy just by virtue of the act of reading. And that is exactly what I needed. 

“A Terrible Kindness” by Jo Browning Wroe

I still have a deep stack of books to read on my end table, and it still seems impossible to pick which one should be next, but after Flaubert's Parrot, Sam chose this novel for me. He had read it not long ago and found it incredibly moving and wanted me to experience it too. 

I think I finished reading it about a week ago, but I’m just now getting around to writing about it. That's never a good thing. It may indicate laziness, or a lack of things to say about my reading experience, or an inability to put my feelings into words. In this case it was really none of those--it was more of a lack of time to sit down and compose something coherent. For a day or two I stuck to my rule (don't start the next book until you blog about the last one) but, sensing my anguish, Sam told me to give myself a break, so I did. And soon (after about 55 more pages, in fact) you will see just how much of a break I gave myself. But not yet. 

Sam was right about this book being moving, especially Part I. I mean, it's about Aberfan. Only the Queen of England could fail to shed a tear when confronted with that tragedy (and that's only if The Crown is to be believed). You know me, though; I sternly resist crying over stories (but maybe that doesn't necessarily apply to stories so deeply rooted in reality). Luckily it is summertime, possibly the hottest one ever, and I was sitting outside wearing sunglasses while reading. If anyone had asked, I would never have admitted it was more than just sweat running down my cheeks.  

It must be said that this is one of those books where the main character can be annoyingly obtuse or self-flagellating. But it was still beautifully written and a really, really good book.