Waterland was my first introduction to Graham Swift. My sweet and thoughtful husband bought a copy for me about six months ago when he saw it at a secondhand bookstore (and I believe him, even if I have no memory of this) because, having read it about fifteen years ago, he knew I would like it. And, as usual, he was right.
This story takes place in the Fenlands (basically reclaimed swamps) of England. It is full of secrets and mysteries (just my thing!), both from the present and from various times past. It's as if everything is hidden under a heavy cloth. As the story unfolds, the narrator gives us glimpses under this corner and that, gradually allowing the outline of what's hidden to be seen. (Have I used that analogy before, in describing another book? I feel like I must have. But I don't care, because it works nicely, and preserves the effect of reading this novel.)
The narrator is a history teacher who finds himself following tangents during his lectures. He ends up relating his personal history rather than what would be expected from the syllabus. There's death (or murder?), war, kidnapping, insanity, really strong ale, incest, a potatohead, and emerging sexuality. And eels. Can't forget the eels. But it's not at all maudlin or melodramatic, as such a list might suggest; it's all treated with subtlety and suspense.
I'm somewhat surprised I was previously unfamiliar with Swift, who has had nine novels published over the past 3 1/2 decades. I'll definitely want to try another one of his books at some point. And I think I know which one will be next: Last Orders. Not only did it win the Booker Prize in 1996, but my copy of Waterland includes it in the same volume. Can't beat that kind of convenience.
Wink Poppy Midnight – April Genevieve Tucholke
6 hours ago
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