This is a unique little novella. (Despite the fact that the cover claims it is a novel, it just doesn't have enough pages or enough words or enough breadth to truly be
a novel.) And though I found it impressive and worthy (in a good way), it was not what I expected.
It's the story of a man who has just lost his wife and is left alone with their two young sons . . . until a giant crow moves into their flat with them. (To avoid confusing you with my next sentence, I must explain that the widower is writing a book about Ted Hughes, and Hughes wrote a collection of poems called Crow: From the Life and Songs of the Crow.) Now, I know very little about Ted Hughes and even less about his writing, and maybe my ignorance skewed my expectations, but I expected Crow to be a physical manifestation of grief. And maybe it was sometimes, or mostly? But not always, and not to its greatest potential.
In general, though the writing was striking and interesting and vivid, I found it easy to skate over without really feeling the grief of its characters. Maybe that's just evidence that I'm a replicant? But as I read, I couldn't help thinking, this is written by a man who has never lost his wife. (I didn't even know if that was true, and how should I know what it's like? I've never lost a wife--or had one, either--and I was prepared to feel very bad if I looked Porter up online and found that he had indeed experienced the death of his spouse.)
Maybe this is just too neat--too easy to blame the book instead of the reader--but I did find a little bit about the book's background, and I feel like I've hit upon the reason the man's grief did not seem raw and real to me. I found nothing about Porter having lost a wife . . . but at the age of 6 he did lose his father. I wonder how much more deeply this book might have touched me if he'd written it largely from the perspective of the boys, drawing more upon his own experience?
Wink Poppy Midnight – April Genevieve Tucholke
6 hours ago
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