And it was definitely a good choice! This is the story of Ansel Packer, abandoned by his parents at the age of 4 and raised in the foster system, who at age 17 goes through a brief stage of killing girls before settling down to a more acceptable existence with his future wife. The story leaps nimbly from death row to Ansel’s childhood and everything in between, told mostly from the perspective of Ansel’s mother and wife, plus the detective working the case of the murdered girls. While at times the story was unsettling, it was always very compelling.
Despite my enjoyment of the reading experience, I do have one complaint about the book. While I am aware that conventional wisdom disparages the use of adverbs in writing, surely this doesn’t mean we need to eschew them entirely? The first few times an adjective was conspicuously used where tradition indicated an adverb, it seemed quirky and experimental (in a good way), but the more often it happened, the more annoying and pretentious it seemed. Like, if it had only been done two or three times, it would have seemed like a positive, even impressive, thing. Or maybe if it was only used in relation to a single one of the narrators? But by the time I noticed it was happening every ten pages or so (fingers twitching nervous, dangling graceless, averted uncomfortable, the air tinged lavish…) the lack of ly was sticking out like a sore thumb and was definitely rubbing me the wrong way.
But that’s the worst thing (in fact, probably the only bad thing!) I have to say about this book.
I loved this book; quite different and well written.
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