The first thing I wondered about this book was whether it was named after the Iron & Wine album. (It was. Although I wasn't sure of this until after I finished the book and read the Acknowledgements at the end. But I often had "Passing Afternoon" humming through my head over this past week or so.)
The second thing I wondered--as soon as I read the blurb--was when this book was published. Was it before or after Island at the End of the World? Because a father living in isolation in the woods with his young daughter isn't a story you read every day. (Island came first. But it didn't take me long to realize the two books are as different as they need to be. And actually, as I read, OEND reminded me more of my recent read Gingerbread, although occasional similarities to Island kept bubbling up.)
Eight-year-old Peggy Hillcoat, she of the British father James and German mother Ute, sets off from London with her dad for a summer vacation in a woodland cabin which he calls die Hutte. Only it’s not really a vacation, especially once they’ve eaten all the food they brought with them; and it’s not just for the summer—it ends up being more like seven of them.
I know exactly when this book hit its stride for me: page 231, right at the beginning of chapter 21. Peggy (or Punzel, as her dad now calls her) has been aware of Reuben for a long time, but suddenly everything is different.
So did I like this book? To be honest, I didn’t love the first twenty chapters. But the rest of the book made up for it. So, yes. Yes, I liked it. Yes, I’m still planning to read #5 when it comes out.
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"Ah, good conversation--there's nothing like it, is there? The air of ideas is the only air worth breathing." --M. Rivière to Newland Archer, The Age of Innocence