Sam bought this book after reading Tomorrow and Tomorrow and Tomorrow, because who wouldn't want to read more books by the same author after reading that? (I myself, maybe unsurprisingly, was more attracted to the title Memoirs of a Teenage Amnesiac; I'll definitely be reading that someday.) Unfortunately Sam was less than impressed by Fikry; I'm willing to bet that's just because TaTaT was that good. How could it compare? But despite the lack of recommendation from Sam I figured I would give it a try.
AJ Fikry is an old (ish! not really) and somewhat grumpy bookstore owner on Alice Island, off the northeast coast of the US (although, weirdly, the beach and the ocean hardly figure into this book; I think the [made-up] location was only chosen because it is a bit remote and difficult to get to). We first see AJ through the eyes of Amelia "Amy" Loman, a publishing rep from a small press hoping to get him to purchase a significant portion of their winter catalog. At first we don't realize it, but AJ has every right to be gruff since the demise of his beloved wife two years earlier.
Sam may have been right in that this book isn't as good as TaTaT, but I enjoyed reading it. I mean, it had its flaws, mostly centering around Maya. For one, I could not grasp Maya's voice; she didn't sound like a real child or even a real person. What was supposed to make her sound unique (never using contractions) only served to make her sound like a weird robot. It's like Maya was written by someone who has never met a child, or maybe never even was one. For another, Maya's short story (supposedly nearly award-winning) was terrible. It had a striking final line, but that was the only good thing about it. On the other hand, I loved it on page 86 when Maya figured out that r-e-d spells red, because I remember that moment of realization in my own life (the letters make sounds, and the sounds make words! although I was sounding out "Away We Go" instead of "red"), and I remember the feeling of the world opening up to me. It's definitely a nice thing to be reminded of. And then there's the whole bookish background, with all of the literary references and love of reading. Island Books is the perfect setting for a bibliophile.
Overall, I found this book very satisfying, even if contrived (as when Fikry asked to keep the child, and when Maya reviewed the books in the store) and a bit sentimental. The nostalgic bent saved it for me.
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"Ah, good conversation--there's nothing like it, is there? The air of ideas is the only air worth breathing." --M. Rivière to Newland Archer, The Age of Innocence