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As it turns out, my impression was completely wrong. It's understandable that I had such an unfavorable opinion of the poor girl, as the intervening years have been unkind to her; even some of her contemporaries painted her as a villainess and a whore. Though some of the malicious gossip was a result of jealousy, most can probably be attributed to guilt by association. Her father, Rodrigo Borgia--though he became the Pope--was not especially pious, to say the least; her brother, Cesare Borgia, apparently deserved every bit of his notoriety.
But Lucrezia herself really wasn't such a bad person. Those who knew her by more than reputation found her modest, astute and wise. Many who had at first believed the reports of poor character thought of her much more favorably after meeting her.
This book does not give a clear and vivid picture of Lucrezia Borgia, but rather a negative image created by the world that surrounded her. You can see her outline, but there's a Lucrezia-shaped hole in the story, especially in the years preceding her third and longest marriage.
I suppose that fault was unavoidable in a work of non-fiction. There's nothing in this book that was not derived from research. No filler, no fabrication, no embellishment. In my opinion, this is both good and bad. Good in the sense that the book relates pure history; bad in the sense that it doesn't bring Lucrezia's personality and motivations to life like I'd hoped.
Slight disappointment aside, I was impressed by the scope of the research that went into this book. And I was amazed by the amount of personal correspondence still in existence! Didn't these people have mothers to teach them that they should only put in writing what they wanted the whole world to read?
This book has dispelled the mystique surrounding Lucrezia Borgia in my mind. She was not vile, evil, or scandalously naughty. She had her share of extramarital affairs, but no more than any other person of nobility during the Italian Renaissance, and she handled them discreetly. While I'm left feeling like I don't have a complete picture of the woman, I'm also convinced I have as complete a picture as is possible after the passage of five centuries. Sarah Bradford has done a remarkably thorough job with the resources available.
Too bad my former conception of Lucrezia Borgia, though much more salacious than the reality, was also much more fun.