The Secret History) that I feared to pick it up lest it let me down. It didn't help when Sam's assessment was that it lost momentum halfway through--this brought my expectations down to a more realistic level, but didn't make me any more eager to read it.
Happily, when I recently overcame my fear enough to read it, I was not disappointed in the least. Far from losing momentum halfway through, somehow I was relentlessly propelled through the entire thing. Even during the times when (as Sam said) "nothing happened," I was suffused with an expectant tension. It certainly wasn't a thriller like Gone Girl, but there was a constant sense of needing to know what was going to happen next, even if I knew I was only waiting for one character to say something to another. And it's both satisfying and sad to have reached the end of the book--pleasantly fulfilling, yet I wish I was still in the midst of reading it.
The Goldfinch tells the story of Theo Decker, thirteen years old at the beginning of the book, and the major influences in his life (as Theo is the sort of person who finds himself influenced much more often than he exerts influence on others): his mother, her death, various friends, and art. I was going to say something about the way one great and terrible day changes the trajectory of his life, but then I realized that's not really true: his direction doesn't really change. It's more as if that day speeds him along his way. Theo is deeply flawed, and as I watched him grow into an adult, I found I couldn't muster much respect for him--I was, instead, disappointed in who he was becoming. The reader is privy to all his failings which are hidden from those closest to him and only guessed at by others.
The Goldfinch seems to be a really polarizing book: it has sold more than a million copies and won this year's Pulitzer Prize for Fiction (among other awards), and has amazed and entranced many readers, but it seems to have as many harsh critics as it has champions--so many that I don't believe all of them can be explained away by literary jealousy. The Goldfinch has received scathing pans from some very important sources, as well as from many of its readers with smaller spheres of influence.
This makes me want to examine my reaction to the book more closely. Am I just another one of the sheeple, appreciating the book due to its success? If its critics are correct and it's crap, what does that say about my literary tastes? If it's really so poorly written and full of cliché, why didn't I notice? And is the idea of literature as entertainment really a problem? I'm sure I'm glibly misinterpreting the viewpoint, but a book shouldn't have to be boring to be serious or important or great. I don't think the definition of a great book can be boiled down to one word, but I do think the majority--if not the entirety--of great books could be described as thought-provoking and well-written. And I see no reason why a book can't be entertaining as well as thought-provoking and well-written--in fact, so much the better if it is. If that makes me hopelessly inelegant in the eyes of world-renowned book reviewers, well then, so be it. I can only imagine how much more fully I am enjoying my life than someone who eschews literary entertainment.
Now for something completely different…
3 days ago