Give me books, fruit, french wine and fine weather and a little music out of doors. --John Keats

Thursday, September 25, 2025

“Cult Classic” by Sloane Crosley

I’ve already read three different books by Sloane Crosley (two books of short stories that I assumed were autobiographical, but I could be wrong, and one grief memoir). But somehow the fact that Crosley has also written two novels had escaped my notice until very recently. This discovery surprised me. Somehow I'd gotten the idea that Crosley was a young, debut writer. (This is probably because I just stumbled upon her in 2022 and didn't realize the book I was reading had come out nearly a decade and a half earlier. I mentioned my surprise to Sam, explaining that I'd thought Crosley was young--too young to have already written so many books; then I looked up her age and said, "Well, she is quite young," which made Sam laugh, because she was born in 1979. Funny what constitutes young these days.) But as usual, I digress. The point I wanted to make was that, of course, as soon as I became aware of Crosley's novels, I had to buy them. 

I started with Cult Classic (published in 2022). I found it a bit disconcerting at first, because I kept trying to figure out where the story fit into the author’s life, and then remembering that this was a novel and was therefore unlikely to be autobiographical. Even once I got to the point where I felt I was regularly recognizing the story as fiction, I found the voice of the protagonist was quite similar to Crosley's voice in her other books. And New York City looms large, as usual. 

Lola, newly engaged to Boots (which is, thankfully, a  nickname), is out to dinner in Manhattan (Chinatown, specifically) with former coworkers when she unexpectedly runs into an ex she hadn't seen for years. They have a pleasant enough conversation, then they go their separate ways. The next night: same song, second verse. This time it's an ex from ten years ago. And the next day, you guessed it--she sees another ex. On one hand it was starting to seem like a literary device allowing the author to describe a handful of different relationships--like a bunch of short stories all linked to the same character--but as an actual plot point, it felt a bit contrived. Granted, I am not George Strait (because only one of my exes lives in Texas), so who knows what it would actually be like if I'd had a decade-long, extremely active dating life in NYC? Maybe running into an ex a day wouldn't be as implausible as it sounds. 

But then it turns out it actually was contrived. In a really quirky and unexpected way. That twist was both welcome (because we see it wasn't just a parade of exes for the sake of anecdotes) and a bit surreal. But it also allowed for more depth, bringing interesting introspection on love, commitment, and letting go of the past--all in a witty and stylish package. (The Classic, of course...)

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